Using Slopers: Full Abdomen Adjustments 

WHAT IS A FULL ABDOMEN ADJUSTMENT?

Ever struggled with getting patterns to fit a fuller abdomen/thicker waistline than patterns usually are drafted for? The full abdomen pattern adjustment (or, in my case, postpartum tummy adjustment!) adds more fabric to your pattern to cover the stomach area more comfortably. It adds volume for smoother fit to the body’s contours and more comfort.

I always have struggled with waistlines and the front abdominal area, and since my second pregnancy, my mommy tummy is more pronounced than it used to be. I really struggle with ready to wear sizing for the same reason – they just aren’t made for my body type, which is more like this (on my shiny new fancy croquis I painted!):

My body proportions lack waistline definition but also have a somewhat narrow hip structure, which causes a few special fitting issues that might be familiar to anyone with a full tummy area:

-waistbands dig in or won’t close if pants or skirts fit at the hip
-the belly pushes the front of clothing downward to settle below the belly, where it cuts in and exaggerates the curve of the belly in an unflattering way
-waistbands ride up or fall down if the garment fits at the waist because the lower body doesn’t fill out and provide resistance against the fabric at the high hip and full hip to help hold it in place.

To show this from the side view:

If you have similar fitting issues when sewing and/or discomfort in ready to wear, you might find that a full abdomen adjustment really helps. What follows is what works for me, and is kind of a Frankenstein method using bits and pieces from all the tutorials I’ve tried. So far, this combination of approaches has been the most successful for me and I’ll be doing a future blog to document how I apply it to a pants sloper, too. I claim no expertise on fitting, but am sharing this in the hope that it will help other sewists to get a better fit with less trial and error and less wasted sewing time and fabric.

So where to begin?

START WITH BODY MEASUREMENTS

At a minimum, you need your waist measurement (taken at the narrowest point of your torso, usually even with the elbow) and your low hip (sometimes called full hip) measurement, which measures your hips and buttocks at the fullest point. Usually the low hip is 8.5″ below the waist.

The usual approaches are to choose the pattern based on at least one of these measurements, adjusting to fit the other measurement if needed, but this doesn’t work as well with a full abdomen. Simply choosing a larger size adds to the front and back waistline evenly, which misaligns the side seam and loses waist shaping in back.

If you choose the size that fits your body at the waist and then reduce the pattern width to fit at the hips, you then lose the darted fit of the back pattern and will require adjustments there. Also with skirts this reduction at the hips strategy may work fine, but for pants it becomes more complicated. If you choose a size to fit the waist, then the proportions at the hip are going to be larger than your body. The leg proportions are probably smaller than those of the pattern, and then the complicated intersection of body segments happening at the crotch is going to be thrown off.

The other usual approach is to fit the body at hip, then slash and spread to expand at waist. While this works better, and fitting the bone structures (hip) and modifying to fit the soft tissue areas (the waist) is my preferred way to fit, this involves trial and error from the very start. I hate sewing more toiles/muslins than I have to.

The best approach, i think, is to measure the body in halves. Doing this allows you to analyze the distribution of mass on your figure more accurately, and to adjust only where needed.

One way to do this is to mark your side seam on the body on both sides, using something that won’t shift like tape or eyeliner pencil, and measure the back and front halves of the body separately. While the conventional pattern selection wisdom would have you choose the pattern based on your whole body measurement, but this approach to a full abdomen Then choose the size that fits each best, matching them at the the low hip and adjusting the side seam lengths to match. This preserves the fit of the back pattern and allows for more isolated adjustments where they are needed on the body.

With a full abdomen adjustment, there is another consideration when adapting the pattern to your measurements: the high hip (4-4.5″ below the waistline, approximately midway between your narrowest point at the waist and the low hip). This measurement can be fuller than the low hip, especially if you have narrow hips, as I do. For a sloper, which you want to fit closely to the body, it may seem desirable to match the body measurements exactly at the low hip to hug the body.

However, this is not flattering in actual garments unless the design is intended to emphasize the curvature of the lower stomach. For skirts and pants, it is usually far more flattering to skim over this curve rather than hugging it with fabric. so you’ll want to measure straight down from the low belly. Maria Denmark has a tutorial that illustrates how to do this beautifully (here).

Another trick to do this without a toile  or slashing and spreading the pattern is to take measurements differently at the full hip. Hold a ruler vertically flat against the lower belly, to extend a smooth line down to the full hip area to show you where to measure. It adds a little extra ease at the front full hip to skim the body instead of hugging up into the curve.

CHOOSE TWO PATTERN SIZES TO FIT FRONT AND BACK SEPARATELY

To choose sizes will require measuring the flat pattern or some math to figure out which size best matches each half of the body.  Skirt and pants have very little ease at the waist, since they rely on a tight fit here to anchor the garment in place. So you’ll be choosing the pattern pieces that come closest to your body measurements plus approximately 1/2″ of ease for movement. If you’re measuring a pattern piece, remember not to include seam allowances, omit the dart intake, and remember to double the measurement if you have to cut two of the piece. (For example, if your front pattern piece says cut two on the fold, measure the piece (leaving out the seam allowance and space inside the dart legs) and multiply it by two, then compare to your body measurement plus half the pattern ease.)

To give an example, here’s how pattern selection worked for me and my measurements (approx. 31″ waist, 39″ high hip, 37.5″ low hip):

My sloper pattern had half an inch of ease included and the side seam shifted 1/2” total toward the back. This seam shift isn’t terribly crucial, but is in theory the industry standard; if I were doing this again, I’d feel free to ignore it, but in this experiment, I was being as precise as I could.

So I chose the size equal to my back waist measurement minus the seam shift (-1/2”) plus half the pattern’s ease (+1/4”), so body measurement minus 1/4”. This worked out to be the 37.5” size, which matched up to the size I needed at the low hip in back as well. So my back proportions matched the standard pattern almost exactly.

In the front, though, my proportions are very different than the pattern proportions. My waist and high hip measurement aligns best to the 43″ size. The low hip doesn’t match up to my body measurement but is pretty close to my measurement taken with a ruler held straight down from my abdomen (as discussed above, wanting to skim rather than encase that curve).

full abdomen sloper adjustment unaltered skirt pieces
My unaltered pieces are a 37.5″ back and a 43″ front. (My sloper pattern is labeled using the low hip measurement instead of the imprecise numbering conventions of women’s clothing.)

 

ADJUSTING THE PATTERN

If this had been a typical pattern, the side seams of the front would be longer than the back. to fix this, i would align them at the low hip and trim away the excess from the top and bottom, also curving the waist slightly upward at the center if needed to give a little more vertical coverage over my belly.

To test the fit, I did a pin fitting first. I pinned the darts closed, pinned the side seams, slipped the garment on, then pinned the garment closed at what would be the zipper at the center back seam to simulate wearing it, so that if I need to adjust, I don’t have to seam rip and can adjust as I wear it.

By doing the math and measurements of body front and back separately first instead of slashing and spreading a muslin/toile version, I have a much better fit from the beginning with less work. the fit works perfectly at the waist and high hip. I have the close fit I want in back and my side seam hangs evenly at waist and high hip.

There is one further adjustment needed, though. since the front of my actual body is only wider than the back at the high hip. Since my back and front are the same size at the mid thigh or knee, the extra room isn’t needed there, and this extra space in the bottom of the skirt really throws off the hang and the side seams at the hem.

full abdomen sloper adjustment comparing front to back sizes align at hip and bottom edge
Align the pattern pieces along the center front and center back seams. Lay the back over the front. Starting at the low hip, taper the front pattern to be in proportion to the back pattern at the hemline.

To fix it, I laid the back pattern piece on the front, matching them up at the vertical line of center front/center back. At the low thigh/just above the knee I marked the width of the back piece. I want them to match here, approximately, remembering the slight seam shift adds 1/4” of width to each side of the front pattern piece. Then I use the pattern piece to redraw a smooth curve all the way up to the full hip of the front pattern.

full abdomen postpartum sewing pattern adjustment fix side seam
Blend the pattern to the smaller size at the hemline.

 

This isn’t perfect, because the grain line of the outer seam of the front is now more on the bias than the back, but this could be dealt with by cutting the front in two pieces and realigning the grain to the side seam for future garments.

Here are my final sloper pieces after all adjustments:

full abdomen postpartum sewing pattern adjustment sloper final

And that’s it! I hope this is helpful, and I’d love to hear  your tips and tricks and experiences dealing with this fit issue. Please forgive my wrinkly fabric. It’s cotton, and though it was pressed prior to shooting these pictures, my kiddos Godzilla anything on the floor:

my house is glorious chaos

I’ll be posting lots more on fitting issues, body proportions, and sloper adjustments as part of a wardrobe overhaul project I’m undertaking as we launch headlong into a new decade. 🙂 Happy New Year! Hope your holiday season was joyous and that Santa brought you all the pretty fabric,

-Amanda

Fitting Woes: Moulage Drafting

Wow, it appears I have not posted in months. Sometimes I go full Luddite and stay offline for everything but work and listen to wordless cello music while I sew buttonholes by hand, because the pileup of current events has me too depressed about everything to subject myself to the bombardment of information about the all the terrible things…but then Craftsy drags me back.

So I just lost about 10 hours of my life to attempting to draft a moulage. Never again. I took Suzy Furrer’s class on Craftsy, after a lot of reading on the subject and a lot of optimism about this maybe being the thing that finally gets the right armhole/shoulder/neck fit that has eluded me for a few years now. Having just drafted my basic moulage, I can see that it’s clearly a f-ing disaster and it’s going to take either remeasuring measurements I’m 97% sure are accurate, having taken them a gazillion times for a gazillion different drafting attempts, or this process will require a holy fuckton of muslin making iterations that I’m not willing to do, having already been there and done that so many times and have a trial/error based sloper that works already. Let’s call this one a total FAIL.

The problem isn’t the class, really–Suzy Furrer does a fine job of teaching something that seems incredibly complicated to convey via distance learning. She’s thorough and as clear can be expected when neck deep in the hell of applied geometry using fractions. But I have a feeling that the industry standards, basically the formulas and rules behind the drafting, are not going to work for my proportions. As with virtually every set of out of the envelope patterns.

And it seems to be a bit more complicated than simply doing a “forward shoulder adjustment” seen all over the web (see: here for example) and on Kathleen Cheetham’s “Fitting the Neck and Shoulders” Craftsy course, which I have *also* taken and found abysmally lacking in anything new or revelatory that can help with my weird body shape. I like her body positive framing of the adjustments, but it’s mostly what I’ve seen in any number of books on basic pattern alteration already.

I have a) forward shoulders b) a broad back and somewhat wide shoulders and c) a large rib cage and d) relatively thick, short waistline. In fashion column what-to-wear parlance, I’d be an apple body or an inverted triangle. Comparing my trial and error slopers has been interesting, because my back bodice is almost two sizes larger than the front. My shoulders are not only forward, but have something of a concave curve in the front. I’ve noticed this on family, too, almost as if being broad backed without our front proportions being equal causes the shoulder angle to shift slightly to arrange this mass on the frame. It seems as if having a forward shoulder takes the straight horizontal line of the back and makes it into two planes moving in different directions, also rotating the shoulder blade slightly out. I think this changes patternmaking for close fitting garments in a way I have yet to see explained. See exhibit A from some random Tailor and Cutter board I can’t find now which had no citation for the original source anyway:

3971376789_13042f79b5

I think a lot of drafting assumes the figure alignment to the far right, while mine is basically the center one plus boobs and maybe a slight swayback. Le sigh.

There was a fantastic piece in Seamwork (here) talking about gender neutral or gender flexible fashion (a subject near and dear to my heart because some days I want to dress like a 18th century dandy and some days I want to be Scarlet O’hara and my taste ranges all over the place!) On the difference between menswear and womenswear:

“Fundamentally, womenswear and menswear are made for differently shaped bodies. Menswear proportions usually consist of more width in the shoulder, long legs, and a short torso. Womenswear is designed to accommodate someone who is the widest at the hip, and who has a shorter torso, a bust, and shorter arms.”

So, again, I’m wondering if simply adding bust definition to a sloper intended for male bodies wouldn’t be the easier way to get here. Full bust adjustment + waist darting on a menswear sloper? Maybe the usual seam shifting of most forward shoulder adjustments? The world may never know, because I’m irritated to the point of sewing knits for awhile.

 

Lol, just kidding. I’m actually working on a pair of stays with shoulder straps to work on my garbage posture because it’s probably easier than learning to draft for this sh*t.

Fitting Woes and Effin Slopers.

Grumpycat_meme1

I’ve sewn three slopers in the last two days. The only explanations I had left were a) I’m deformed b) I’m deformed and a terrible measurer or c) I’m deformed, a terrible measurer and I suck at digital drafting.

Let me show you why I am deformed. This is my dad:

dadbeingstatuesquelol

Don’t get me wrong, he was the best dad. He was funny and smart and so very, very kind. I miss him every single day, and credit him with what little patience and persistence I have. While my dad’s physique was quite the accomplishment, and while I am, of course, ever appreciative of the glorious blend of Arnold Schwarzenegger-isms and raw egg protein concoctions that comprised my childhood, THOSE BACK PROPORTIONS THOUGH. I inherited those lats, and I curse them every time I sew. (Alas I inherited neither his motivation to be super fit nor his abs, although I do okay–no sugar, healthy eating, etc. I just loathe any exercise that isn’t walking or dancing around my living room like Thom Yorke. Don’t do this barefoot; it’s a good way to break your foot. Ask me how I know this.) Also: my posture plagued my dad. He designed workouts to fix my forward shoulders, which back then I didn’t care about, being a stubborn kid who stooped mostly out of shyness. I still notice myself doing this when the social anxiety kicks in. The combination of broad man back I inherited from a long line of farmer strong brawler folk and my grunge era forward stoop means that fitting a bodice is a nightmare. NIGHTMARE. I also have pretty much no waistline and narrow hips, so that’s not fun when all my vintage patterns are drafted for someone who wore a girdle from age ten. I have been stubbornly fighting with the various pattern fitting possibilities since I began sewing. In the last few days, in a veritable paroxysm of determination, I have tried:

-a forward shoulder adjustment
-a round back adjustment
-a broad shoulder adjustment
-a sloped shoulder adjustment
-lowered armhole
-shoulder seam darts
-neck darts
-drafting a bodice block from my measurements using two different systems

It has been so incredibly frustrating. I can get a block to fit my torso, kind of, using these methods. But as soon as I add sleeves, my broad back renders any forward motion of my arms impossible. The fit is uncomfortable AF. So after the failure of attempt number 3, I broke out the duct tape dress form and tried draping again. I tried this in the past, but wasn’t very practiced, so my results weren’t the best and I sort of let it fall by the wayside. But this time, after all the math and all the frustration, it was easy as pie.

I was going about it all wrong. I’m not deformed; I just have a manbody. And I’m not even that bad at drafting, but all the formulas I was using were based on creating blocks for a much more stereotypically feminine form. The final blocks I came up via draping look way more like this:

mensvest

than anything even vaguely resembling this:

woman's sloper2

and I wonder how many other women with petite, larger waisted, broad backed figures are also making themselves crazy trying to make the formulas work for them when (it would seem) the basic proportions involved are wrong from the start. From now on for myself it’s all man-blocks. I actually had already gone this route for a few pairs of pants, hellbent on not risking the cameltoe look. They work great, actually. And since most of what I want to sew channels Lilith from Frasier and the tailored suit look, blocks designed for men with a slight bust adjustment might be far less of a headache for me.

If anyone else has been through the gauntlet of these particular fitting issues and knows of any solutions, I would *love* to hear about it! I’m also very curious about the theoretical differences in drafting for men vs women. It seems like the tailor / couturier-dressmaker traditions were historically quite separate industries, which I don’t fully understand the reasons for and will have to read up on.  But it seems like the basic methods of drafting should be universal, regardless of the figure? I’m also curious about how many people have fitting problems because of the standard male vs standard female figure used for drafting…