Fitting Woes and Effin Slopers.

Grumpycat_meme1

I’ve sewn three slopers in the last two days. The only explanations I had left were a) I’m deformed b) I’m deformed and a terrible measurer or c) I’m deformed, a terrible measurer and I suck at digital drafting.

Let me show you why I am deformed. This is my dad:

dadbeingstatuesquelol

Don’t get me wrong, he was the best dad. He was funny and smart and so very, very kind. I miss him every single day, and credit him with what little patience and persistence I have. While my dad’s physique was quite the accomplishment, and while I am, of course, ever appreciative of the glorious blend of Arnold Schwarzenegger-isms and raw egg protein concoctions that comprised my childhood, THOSE BACK PROPORTIONS THOUGH. I inherited those lats, and I curse them every time I sew. (Alas I inherited neither his motivation to be super fit nor his abs, although I do okay–no sugar, healthy eating, etc. I just loathe any exercise that isn’t walking or dancing around my living room like Thom Yorke. Don’t do this barefoot; it’s a good way to break your foot. Ask me how I know this.) Also: my posture plagued my dad. He designed workouts to fix my forward shoulders, which back then I didn’t care about, being a stubborn kid who stooped mostly out of shyness. I still notice myself doing this when the social anxiety kicks in. The combination of broad man back I inherited from a long line of farmer strong brawler folk and my grunge era forward stoop means that fitting a bodice is a nightmare. NIGHTMARE. I also have pretty much no waistline and narrow hips, so that’s not fun when all my vintage patterns are drafted for someone who wore a girdle from age ten. I have been stubbornly fighting with the various pattern fitting possibilities since I began sewing. In the last few days, in a veritable paroxysm of determination, I have tried:

-a forward shoulder adjustment
-a round back adjustment
-a broad shoulder adjustment
-a sloped shoulder adjustment
-lowered armhole
-shoulder seam darts
-neck darts
-drafting a bodice block from my measurements using two different systems

It has been so incredibly frustrating. I can get a block to fit my torso, kind of, using these methods. But as soon as I add sleeves, my broad back renders any forward motion of my arms impossible. The fit is uncomfortable AF. So after the failure of attempt number 3, I broke out the duct tape dress form and tried draping again. I tried this in the past, but wasn’t very practiced, so my results weren’t the best and I sort of let it fall by the wayside. But this time, after all the math and all the frustration, it was easy as pie.

I was going about it all wrong. I’m not deformed; I just have a manbody. And I’m not even that bad at drafting, but all the formulas I was using were based on creating blocks for a much more stereotypically feminine form. The final blocks I came up via draping look way more like this:

mensvest

than anything even vaguely resembling this:

woman's sloper2

and I wonder how many other women with petite, larger waisted, broad backed figures are also making themselves crazy trying to make the formulas work for them when (it would seem) the basic proportions involved are wrong from the start. From now on for myself it’s all man-blocks. I actually had already gone this route for a few pairs of pants, hellbent on not risking the cameltoe look. They work great, actually. And since most of what I want to sew channels Lilith from Frasier and the tailored suit look, blocks designed for men with a slight bust adjustment might be far less of a headache for me.

If anyone else has been through the gauntlet of these particular fitting issues and knows of any solutions, I would *love* to hear about it! I’m also very curious about the theoretical differences in drafting for men vs women. It seems like the tailor / couturier-dressmaker traditions were historically quite separate industries, which I don’t fully understand the reasons for and will have to read up on.  But it seems like the basic methods of drafting should be universal, regardless of the figure? I’m also curious about how many people have fitting problems because of the standard male vs standard female figure used for drafting…

 

Oh, You Pretty Things: Poiret and the 1910s-20s

Sometimes I have to drown out the ugliness of the world with the beauty of human nature and human works. So this week there have been a lot of kitten videos, avoiding of facebook and beauty for its own sake. Just thought I’d share some of my current happy micro-obsession with Poiret, the art deco fashion illustration of the 20s, and the multiculturally inspired, out-with-the-corset elegance of the 10s. Many of these are Poiret designs, and many are Barbier illustrations.

Free Sewing Inspiration: ABC of Dress by Harry Collins

Oh internet. Daily you force me to confront the best and the worst in humanity. *waits for pizza ordered online thus avoiding the dread and horror of talking to real humans on the phone* Is there a special circle of hell for people who claim to be book lovers and knowledge preservers who just sit back and profit off of some poor publicly funded librarian’s scanning efforts? I would like to think so. (I noticed this book, and many others, from archive.org listed on Etsy, being sold as someone’s own work. The listing *did* make me sit up and take notice of the book’s content, which is a plus, but also depresses/frustrates/enrages me bc there are sellers who just take others’ work and sell it as their own.)

But where was I? OH YES. Art deco 1920s excellence that I wouldn’t have ever found had I not been snarkresearching on this Etsy seller’s stock. This book by Harry Collins called the ABC of Dress is part dressing guide, part dressmaking guide and the illustrations are gorgeous:

Wanna download it? A variety of formats available (here) free of charge, thanks to the indefatigable wonderful folks at archive.org.

Finished Objects: Vionnet Abomination–Er, Attempt–#1

I finished what I have affectionately termed the squid Vionnet, although not to my liking and, as per usual, at the last minute. I spent a month working on digitally drafting the pattern so that I could make an epic Halloween dress, then life got crazy, then I couldn’t get my printer to print the pattern correctly, then time got short and no muslin was made. I used my semi-crappy black $2/yard clearance shantung because I wanted to keep the stakes low but still have a slim chance of resulting in a pretty dress. My measurements of the flat pattern did not translate well into the sewn garment, alas, which necessitated some major gusset type side insertions on the fly. These insertions threw off the lovely hang of the garment, but I used an Old Hollywood trick and corrected the fit on my body, which required some seam ripping myself out of it later. Alas, no pics. (Is it just me or are 30something mothers frequently absent from the photo documentation of family life? Too old / gen x for unabashed selfie taking, and usually too busy trying to make sure the youngun isn’t swinging from the chandelier to actually look in the direction of a camera…)

The squid dress in theory:

vionnet21

pattern
The squid dress in 2d theory.
pattern2
88 pages. This is why I buy sugarcane environmental happy hippie paper by the case.
dress1
The squid dress in post-wear lumpy reality.

dress2

Be it ever so humble, it does represent a moral victory of sorts. I cranked this sucker out in about eight hours sewing time and, had the fit been correct initially, it would have been pretty amazing. It didn’t even disintegrate! So let’s call this a muslin. I love the sleeves. I couldn’t really see it from the pattern pieces, but upon assembly it was essentially a kimono or dropped shoulder sleeve in the front with a horizontal tuck to give the neckline some drape, and a raglan type join at the back.  I plan to reattempt it as a blouse, with slightly less extravagantly eveningwear type Cersei sleeves, because the design itself is lovely. Consider me even more of a Vionnet fangirl after actually trying to sew her pattern.